jay rechsteiner

Baby, It’s Cold Outside

An exhibition by Charles Williams, Lily Hughes and Jay Rechsteiner

24 Prices Avenue, CT9 2NT, Margate

January 23rd to 25th, 2026

 

In this collaborative exhibition by Charles Williams, Lily Hughes and Jay Rechsteiner, visitors enter a domestic space where comfort and disturbance sit close together. Paintings, objects and video occupy a setting that normally shelters us from the world, yet the works allow the outside to seep in. Drawing on humour, conflict, memory and everyday habits, the exhibition reflects different ways we assemble meaning from what reaches us at home.

The exhibition is open during the day on Friday, Saturday and Sunday. On Friday, Jay Rechsteiner serves spaghetti as a deliberate gesture, making a simple meal part of the shared experience. On Saturday evening, poetry readings and a selection of short films extend the exhibition, contrasting the warmth of the space with the stories and images carried in from elsewhere.

 

Opening times & programme

Friday — Opening day
12:00–21:00
Exhibition across dining room, kitchen and basement
Spaghetti served throughout the day
Informal conversations and drop-in viewing

Saturday — Exhibition & poetry / short film evening
12:00–18:00 — Exhibition open
19:00 — Open mic: poetry, short texts, readings
Spaghetti available before and after readings

Sunday — Exhibition
12:00–17:00 — Exhibition open

 

Poster

 

The Selection Panel
100 × 120 cm
Oil on linen, 2021

Charles Williams

A former student at the Royal Academy Schools and a founder-member of the Stuckist movement, Charles Williams is a painter, writer and lecturer whose work has been exhibited in the UK, Europe and the United States. He is President of the Royal Watercolour Society, a member of the Accademia Internazionale dell’ Acquarello, and is represented by New Art Projects, London.

Williams describes himself as a painter who also writes. His work builds through improvisation, where narrative, surface and image are tested against the possibility of presence in painting, moving between autobiography, fiction and studio anecdote. Recent work continues this enquiry through shifting personae and an interest in therianthropy.

Toilet Roll
Glazed stoneware, 10 × 10 × 14 cm
2025

Lily Hughes

Lily Hughes is an artist exploring everyday life including the political, the poorly, the mundane and the strange. The work could be described as boring to the point of comedy, she is interested in showing things as they are - often spilling the beans on herself in the process.

Her ongoing project “The Cleaner” explores artists second jobs through writing, data collection, works on paper, film, and sculpture; and has prompted three exhibitions to date. Ceramic objects from this body of work were also seen as part of Quench Gallery’s kiosk at Unit London and in public art galleries across Berlin in 2025.

As an artist, Hughes feels herself a spy - documenting and archiving the ordinary. This voyeuristic impulse lending an air of the uncanny to overlooked or unseen aspects of life. The work is obsessive and unintuitive. It drives her crazy and makes her sick.

Writing is a large aspect of Hughes output: she performs regularly at poetry and open mic nights, and keeps an online blog that covers everything from smut to repressed trauma; art criticism to supermarkets; Crip theory to local history.

Hughes studied History of Art at Golsdmiths, University of London before going on to receive an MRes in Art Theory and Philosophy from Central Saint Martins in 2017. She has lived and worked in Margate since 2019. Alongside her art practice, she works as a chef in a fine dining restaurant. She shares a studio with her partner with whom she regularly collaborates.

 

Bad Painting 382: Husband tied his pregnant wife to the bed and set her on fire.
22.7 × 30.5 cm
Oil on canvas, July 2024

Jay Rechsteiner

Jay Rechsteiner is a Swiss-born multidisciplinary artist working across painting, objects, video and performance. His practice examines how violence, language, media and private life intersect, using direct and deliberately simple strategies to keep meaning unstable rather than resolved.

Alongside the ongoing Bad Painting series, recent work extends into unstretched canvases, masks, domestic scenes and video, foregrounding process, vulnerability and transformation. He has also initiated participatory platforms including The Washroom Projects, The Washroom Talks and monoloqueArt, and has worked collaboratively under the name Sardine & Tobleroni.

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